DBX 160SL PDF
September 18, 2019 | by admin
DBX SL. 2-channel Compressor/Limiter Patent-pending AutoVelocity™ circuit dB of Dynamic Range High-Drive output transformer. The dbx S is a stereo compressor could not be more complete consists of a multitude of rotary pots, buttons, LEDs, and two good old. Despite being both smaller and lighter, this new compressor yields little in performance to Dbx’s flagship SL. The name Dbx is pretty much synonymous with.
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dbx 160SL Blue Precision Stereo Compressor/limiter
The Ground switch, when pushed in, references the center tap of the Jensen output transformer to chassis ground. This makes it much simpler to use and allows compressor work much more finesse, since the settings are changing constantly dgx the signal envelope, a pretty daunting thing to do manually. Because of the unit’s transparency, I found it a favorite on vocals, backing vocals, bass synth, bass guitar, guitar and drums.
Well to correct all these inconveniences manual mode, and just put it into action to get everything in order, except that the sound loses part sbx its appeal. The Unbalanced switch changes the output of the SL from balanced to unbalanced and drops the level 6 dB. Here controls are conventional for a compressor. The Output Gain control adjusts the output level with up to 20 dBu of makeup gain.
In sidechain mode, the compressor responds to signals coming into the sidechain return connector rather than the normal input.
dbx SL Blue Precision Stereo Compressor/limiter | eBay
Also note that the symmetry of output is through Jensen transformers capable of handling elephantine tensions. PeakStopPlus is adjusted with the Stop Level control from 4 to 30 dB off and sets the maximum output level, regardless of any other control. The SL doesn’t disappoint here, as I got tremendous dvx without excessive pumping and, and now I have a new favorite. Not satisfied dvx those reviews?
But after compressed and limited the signal, there is still, in this first case, the output gain knob to regain what was lost level dynamically. Mix Magazine “Compression And Compressors”. There is 160dl LED “traffic light” that shows when the signal is below threshold greenover threshold redand yellow when the OverEasy mode is selected and the level is in the OverEasy threshold range. With the converter added, there would be three simultaneous audio output streams: With this compressor the major risk is to take you to extreme settings where extensive experience is required under penalty of making big mistakes.
Dvx is also a hard-wired bypass relay for bypassing the entire unit out of your signal chain. Used primarily on vocals, the S gives the best of himself, and at no time did we notice pumping or creating noise. Back face a series of buttons change the system output symmetrical asymmetrical cut with vbx without mass, with the possibility of setting up 1 point for a floating mass or making the chassis ground central point of the transformer chassis.
Where the DBX is perfectly astonishing is used for purely creative, so its potential can be outstanding. This compressor has been tweaked through its taken by a specialist, which led to a great and professional tool.
All user reviews for the dbx 160SL
Dbc “brick wall” limiting is an important feature for successfully engineering maximum-level digital recordings, radio 10sl or satellite transponder audio uplinks. In OverEasy mode, the dialed-in ratio setting is not fully reached until the signal has exceeded the OverEasy range and the red LED lights.
I used the SL on a variety of instruments, as well as for overall program control. Finally, here we are in the thick of it. This feature helps to soften the activation of the VCA to the trigger point, which resulted in making softer and more discreet compression.
User reviews: dbx SL – Audiofanzine
There is a device on which you have to linger, test different settings and listen to the slightest deviation dB carefully and under conditions of optimal tracks. Moreover, a continuous monitoring of the needle VU reduction indicator mode, is necessary as it can go without problem up to 30dB very easily and without any adverse effects. That said, another way of seeing things is to say that the analog outputs, they have tendency to increase a bit low frequencies while attenuating high, which would also be perfectly acceptable and probably more accurate.
Write a user review Ask for a user review. It does this without introducing harsh-sounding artifacts. A short signal path is used for sidechain de-essing or ducking functions. Getting In And Out The two-rackspace SL has two mono compressor channels mounted side by side with stereo coupling and sidechain capability.
IPL monitors the input signal and “predicts” the amount of extra compression required to keep the output signal below the ceiling set by the ITC. Release time is defined as the time the compressor takes to return to original levels after the last excursion over threshold.
The sound is nickel until the end of the last dB.